For the opening of impuls, Ensemble Schallfeld presents a colourful snapshot of contemporary composing, celebrating interconnections between painting, visual art and music.
Stanley Kubrick’s cinema classic A Clockwork Orange did not only become famous for its intense imagery, but also for its sophisticated soundtrack by Wendy Carlos. Re-interpretating music by Beethoven, Rossini and Purcell on her Moog Synthesizer, Carlos succeeds in opening up a new aesthetical dimension to these well-known pieces. At the Darmstädter Ferienkurse 2016, Schallfeld initiated a project focused on the question how a transcription of this transcription could sound today, almost half a century after the film’s original release. In a broader sense, this encompassed also questions about the relation between tradition and (technical) innovation, repertoire works and new creations, between sound and the moving image.
In order to transmit the expressive potential of contemporary music in a sensual way, Schallfeld Ensemble develops formats that integrate both composed and improvised forms of music into a visual scenery, employing elements of concert, installation and music theatre.
Musik von Luc Döbereiner, Daniela Fantechi, Davide Gagliardi, Andres Gutierrez, Liza Lim, Lula Romero und Agostino Di Scipio.
Musik von Luc Döbereiner, Daniela Fantechi, Davide Gagliardi, Andres Gutierrez, Lula Romero und Agostino Di Scipio.
Musik von Mauricio Azzan, Luc Döbereiner, Davide Gagliardi, Andres Gutierrez und Liza Lim.
Musik by F. Bedrossian, S. Caneva, A. Korsun, A. Khubeev und L. Troiani
Music by Cathy van Eck, Alexander Khubeev, Sara Caneva, Diana Soh and Lorenzo Troiani
TRILOGY IN TWO
a mosaic opera by Andrea Liberovici with Helga Davis and Schallfeld Ensemble.
TRILOGY IN TWO
a mosaic opera by Andrea Liberovici with Helga Davis and Schallfeld Ensemble.
TRILOGY IN TWO
a mosaic opera by Andrea Liberovici with Helga Davis and Schallfeld Ensemble.
Music von Santa Ratniece, Johannes Maria Staud, George Crumb und Maurizio Azzan